Full study An American Childhood is a memoir written by Anne Dillard.

Dillard was born Meta Ann Doak on Apr 30, 1945, into a Pittsburgh family with Scotch-Irish, French, and German roots. Her father, Frank Doak, worked for some years as a minor corporate executive, but his passions were for Dixieland jazz, for taking his boat down the Mississippi, for dancing, and above all for telling jokes. Frank Doak self-published a memoir, Something Like a Hoagie, in 1994. Dillard has written –in An American Childhood-- about him and about her spirited mother, Pam (Lambert) Doak, who loved dancing and had a sort of wild transgressive genius for practical joking. If the phone rang and it was a wrong number, Dillard’s mother would hand it to the nearest person; “Here, take this, your name is Cecile.”

Complete summary of Annie Dillard's An American Childhood.

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An American Childhood by Annie Dillard

In 1992, Dillard published her first novel, The Living. An earlier version, a long short story of the same title, appeared in Harper’s in 1978. She rewrote it as a novel. Then, in 1994 she rewrote the original story for The Annie Dillard Reader. Set in the Pacific Northwest in the later half of the nineteenth century, The Living is about the lives of three generations of pioneers and settlers of the region around Bellingham Bay. Reviewing the book for the New York Times, Thomas Keneally noted Dillard’s “tremendous gift for writing in a genuinely epic mode.” The book’s vast canvas takes in the sea-coast, the mountains, the forests, the rivers, the Indians, the farms, the logging, the Chinese, the coming of the railroads, the boom times, the growing towns, and the labor troubles.

“An American Childhood” essay by Annie Dillard

After reading Annie Dillard’s “An American Childhood” (pp. 241-246). Then, write a short descriptive essay about someone you know very well, using several anecdotes or…

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Annie Dillard has been considered a major voice in American literature since she published Pilgrim at Tinker Creek in 1974 and won a Pulitzer Prize. Her reputation has increased steadily if bumpily since then. Scholars and critics have recognized her scope’s widening from the natural world to history, metaphysics, ever --more narratives, and theology until Paul Roberts could say in the Toronto Globe and Mail that the 1999 publication of For the Time Being, “places Dillard more firmly than ever among the very greatest of American writers.”

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All of Annie Dillard’s books have been in print without a break since they were first published. Most have been translated into French, German, Italian, Dutch, Swedish, Chinese, Japanese, and Korean. They have been published in England. Three of her works appear on four different lists of the twentieth century’s best American books. They have, at this writing, won the Pulitzer Prize (1975, general nonfiction), twice the Coindreau (a French prize for the best book translated into French), an Academy Award in Literature from the American Academy of Arts and Letters, Guggenheim and NEA fellowships. Her work has been set to music in a dozen different forms; it has been interpreted in plays, operas, and in innumerable paintings and sculptures. She has never appeared on television or allowed herself or her work to be filmed. Her books, she says, are literature or they are nothing. Buckminster Fuller said some time ago that her writing “archingly transcends all other writers of our day in all the simple intimate and beautiful ways of the natural master.” Almost thirty years after Pilgrim at Tinker Creek her reputation has grown to the point where a permanent place in the front rank of American literature seems assured.

241-246). College essay writing serviceQuestion descriptionAfter reading Annie Dillard’s “An American Childhood” (pp.

Aug 01, 2016 · An American Childhood by Annie Dillard

The headmistress of her school, Marian Hamilton, and her parents, wanted Dillard to go to college in the South to smooth off her rough edges. But, as she says in An American Childhood, “I had hopes for my rough edges. I wanted to use them as a can opener, to cut myself a hole in the world’s surface and exit through it.” She cut her way out of Pittsburgh and Pittsburgh society when she left home and went to Hollins College in Roanoke, Virginia. She made the decision to go there, rather than to Randolph-Macon Women’s College, after a dream about the beauty of the little creek, called Carvin’s Creek, that runs behind the old library at Hollins.