The Cask Of The Amontillado - Revenge :: essays …

Randall, John H. III. “Poe’s ‘The Cask of Amontillado’ and the Code of the Duello.” 5 (1963): 175-84. Rpt. in . Ed. Anna Nesbitt. Vol. 35. Boston: Gale Group, 2000.

The Cask of Amontillado” - Sample Essays - New York essay

02/02/2018 · "The Cask Of The Amontillado - Revenge." ..

FREE Revenge in The Cask of Amontillado Essay

The key to the humor in "The Cask of Amontillado" is that despite Montresor's sardonic jabs, Fortunato does not realize the extent of his danger until he has been chained to the granite, and even then he remains too drunk to completely comprehend what has taken place for some time. After repeatedly insulting Luchesi for his lack of intellect, Fortunato shows himself to be even more the dupable fool. Because of Fortunato's drunken and therefore unsuspicious condition, we do not know if Fortunato would have been any cleverer in his normal state. Nevertheless, by the end of the story, Montresor shows himself to be both the more villainous and the more intelligent being. As he tells Fortunato, he comes from a family with a motto and a coat of arms that indicates a long tradition of revenge, and he ignores any pangs of heart sickness by blaming the damp and shutting Fortunato into the burial ground of his avenging family.

Cask Of Amontillado Essay. Death Due To Revenge

As in many of Poe's short stories, Montresor is the first-person narrator and appears to be speaking to a specific audience. However, whereas we can suppose that the narrator of "The Tell-Tale Heart" is speaking to some authority figure in order to prove his sanity, in "The Cask of Amontillado" we know very little about Montresor's audience or motivations. The only hint we have comes in the first paragraph, where he implies that his audience already knows something of Montresor's thoughts and personality. The account occurs some fifty years after the event, suggesting that a somewhat older Montresor was never discovered and has not greatly changed his opinion that the crime was justified. Montresor has shown himself to be risk averse, so his audience must be someone that he trusts, perhaps a confessor or a relative. Possibly he is at the end of his life, and now that he can no longer face any severe consequences, he has decided to tell his story. The ambiguity of the circumstances and Montresor's escaping of justice lend a sinister tone to his story, which is further backed by Poe's extensive use of irony.

“The Cask of Amontillado” simply overflows with various themes and other literary elements that result from Poe’s Gothic style of writing.

"The Cask of Amontillado" ..

Because both the audience and Montresor are aware of the unfortunate Fortunato's impending death, dramatic irony also plays a role in the comedy of horrors of "The Cask of Amontillado." Dramatic irony is the result of the disconnect that occurs when a character, namely Fortunato, is not aware of the true meaning of his own actions. The very setting of the story is ironic, in that Montresor has chosen the jovial carnival season to enact his murder because no one will be at his estate to witness the crime. Fortunato himself is dressed in a jester's outfit, and the jingling of his jester's bells remind us of the atmosphere of happiness and cheer outside the catacombs. Later, as they drink the Medoc, Fortunato drinks to the dead and buried, not realizing that he is about to join them, and Montresor wryly drinks to Fortunato's health.

The Cask of amontillado narrative essay; ..

Freehafer, John. “Poe’s ‘Cask of Amontillado’: A Tale of Effect.” Ed. Ernst Fraenkel, et al. N.p.: 1968: 134-42. Rpt. in Short Story Criticism. Ed. Ann Nesbitt. Vol. 35. Boston: Gale Group, 2000.

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his short story "The Cask of Amontillado"

Jacoby, Jay. “Fortunato’s Premature Demise in ‘The Cask of Amontillado’.” 12.2 (Dec. 1979): 30-31. Rpt. in Short Story Criticism. Ed. Ann Nesbitt. Vol. 35. Boston: Gale Group, 2000.

Rea, Joy. “Poe’s ‘The Cask of Amontillado’.”  4.1 (Fall 1966): 57-69. Rpt. in . Ed. Anna Nesbitt. Vol. 35. Boston: Gale Group, 2000.

The Cask of Amontillado | Accurate Essays

Felheim, Marvin, Sam Moon and Donald Pearce. “The Cask of Amontillado.” 1.10 (Oct. 1954): 447-49. Rpt. in . Ed. Anna Nesbitt. Vol. 35. Boston: Gale Group, 2000.

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A summary of “The Cask of Amontillado” ..

These contrasting theories, while barely touching on the plethora of critical opinion over Montresor’s revenge, illustrate the extent of divergence surrounding the story. Regardless of the persistent controversy, few critics dispute that “The Cask of Amontillado” ranks as one of Poe’s superlative achievements.