Essay on Country Music vs. Rap Music - 551 Words

It is a mix of ballads and dance tunes played characteristically on the fiddle, guitar, steel guitar, drums, and keyboard.
What is Pop Music?
- originated in its modern form in the 1950's.
- Pop music comes from the word popular & is more of a watered down version of rock n' roll with more rhythm and harmony and an emphasis on romantic love.
Jimmie Rodgers was one of the very first country artists.

Rap And Country Music Compare And Contrast Free …

Rap And Country Music Compare And Contrast

Where did country music come from and what ..

Pop music

By: Lexy Hoffman
Some of the very first Pop artists:
First Country artist:

What is Country Music?
Best Pop songs within a few months:
Timber By: Kesha
Dark Horse By: Katy Perry
Say Something By: A Great Big World
Let her go By: Passenger
Royals By: Lorde
- originated in the rural regions of the Southern United States in the 1920's.

Country music and rap music are two totally different musical genres

While rap's history appears brief its relation to the African oral tradition, which provides rap with much of its current social significance, also roots rap in a long-standing history of oral historians, lyrical fetishism, and political advocacy. At the heart of the African oral tradition is the West African3 idea of In Malian Dogon cosmology, Nommo is the first human, a creation of the supreme deity, Amma, whose creative power lies in the generative property of the spoken word4. As a philosophical concept, is the animative ability of words and the delivery of words to act upon objects, giving life. The significance of in the African oral tradition has given power to rappers and rap music within many African-American communities.

Rap Music vs. Country Music | HubPages
10/10/2013 · Im writing an essay about Country vs rap and i need a good title HELP

The Alternative Country, Rap, and Alternative Rock in the 90s

Though not new themes, many of the aspects of rap that have been pointed out by politicians as "objectionable"--violence, misogyny, and homophobia in the lyrics and lifestyles of some rappers--may be seen as a function of rap's commodification. While rappers struggle to "keep it real"--a term which reminds those inside hip-hop to be true to their roots--some admit that many rappers do as their record labels wish--simply, they write lyrics that se1115. In an audience which has become increasingly ethnically and economically diverse' 6, business-minded rappers have been pressured to take on the limited roles that have proven profitable for young, African-American male artists--that of the "pimp", the "gansta", and the "playa." According to African-American musician Michael Franti, "In order to be real, we don9t all have to be the same. Through the commercialization of today's music, there is a lot of pressure for young black men to conform to very specific roles." 17

Effects of Hip-Hop and Country Music on Society Essay …

Simailarites And Differences Of Country And Rap - …

Yet, is music regulation worth the censorship of artists, especially when it targets certain genres, such as rap? It would be virtually impossible to implement a system of regulation that could be entirely objective and free of cultural bias regarding the definition and execution of blanket-definitions of obscenity and potential for harm. In the end, a system that would regulate the lyrical content of music would hurt rappers and their audiences and further weaken rap's ability to reflect and express the true concerns of inner-city working-class youth30.

Modern Sounds in Country and Western Music ..

Essay on rap music - LUMI COSMETICOS

Similarly, with the "discovery" of hip-hop artists by corporate record labels, rap music was stolen from its community, repackaged by money-minded businesspeople looking to create a wider appeal by erasing hip-hop's historic function, and sold back to the streets through marketing ploys such as music videos and Top-40 charts. By the I 980s, hip-hop had become a business and rap music was a valuable commodity'3. However, according to journalist Christopher John Farley, rap's commodification has also disenfranchised it as a form of resistance: