FarisScheherazade's Children: Magical Realism andPostmodern Fiction
"Magical Realism"in Spanish-American Fiction will be available on
In exploring such questions, and in trying to map out a brief history of magic(al) realism, it is important to be aware that the terms magic realism, magical realism and marvellous realism all elude simple definition and that the connections between them are complex.
The term magical realism was first introduced by Franz Roh in 1925.
In a way, then, Roh was describing an art that entirely does away with "cause"--and therefore "effect"--so that we can focus on the object as it is, by itself, in the moment. "The static, anti-dynamic pictorial form," he wrote later about his magic realism, "was considered a coordinate of the 'rigid fourth dimension' with which modern physics can reduce everything dynamic to states of being." [Roh, 113] For only when we eliminate all the various forces with which we tend to explain away the object can we instead focus on it as an "enchanting quality or phenomenon," on its "magic of being." Only then "the autonomy of the objective world around us [is] once more to be enjoyed."
Research Paper on Magical Realism - Sample Essays
Anyone wanting a quick summary of their meanings could scroll down to the bottom where I give a brief overview.
'Magic realism' () was a term first coined by the German art historian Franz Roh in 1925 to describe a type of painting that flourished during the Weimar Republic in Germany, associated with artists like Otto Dix, George Grosz, Carl Grossberg and Alexander Kanoldt.
Franz Roh's 1925 essay in which the term magical realism is coined.
While the exact definition of Magical Realism is open to interpretation, it is certain that Magical Realism gives a deeper meaning to ordinary life by unearthing mysteries that hide behind the world (Roh 16-17).