The poem, “In a Station of the Metro,'; is a poem of imagery.

Pound was even able to persuade William Butler Yeats, whom he had befriended through Olivia Shake-spear, to rethink his own poetic practice, to some extent, in the light of Imagist ideas. In 1913, Yeats invited Pound to stay with him for three months at Stone Cottage in Sussex, and it was there that Pound first heard of James Joyce, and included an early poem of his in the anthology Des Imagistes.

His other mentor was Ezra Pound, the founder of Imagism.

Obeying the second rule of imagistes will be harder the longer the poem is....

Essay on Imagism Ezra Pound - 1024 Words - StudyMode

In Italy, in the years following World War I, he became a convert to the economic ideas of C. H. Douglas. This system involved removing financial power from the banks and placing it in a neutral institution which would consult only the good of the public as a whole—an assault on the basic assumptions of a capitalist economy. Pound was vehemently opposed to usury, the private appropriation of the power to lend money, and in his writings of the 1920s and 1930s, he returns obsessively to the need to eliminate it from civilized life. In Jefferson And/Or Mussolini (1935), Pound defended the Fascist revolution in Italy as the legacy of the American Revolution, and insisted that the similarities between Jefferson and Mussolini were more profound than their differences. Both, he argued, sought to protect the nation as a whole from the particular interests that threatened to dissolve it. Fascism, like Jeffersonian democracy, understood that the best government is the one which most speedily translates the best thought into action. Pound saw in Benito Mussolini, the Italian Fascist leader, an image of the role he himself had sought in the realm of art, the strong-willed leader who can impel a collection of individuals into a common movement and who is able to convert ideas into action.

Ezra Pound and Imagism | PerfectCustomPapers

Pound founded the Imagists in 1912, marking the end of his early poetic style. Imagism favored economy and precision of language, a focus on common language, and a movement away from overly adorned verse. In this first of the Modernist movements, there was also a determination to draw from classic sources, including ancient Asian poets. So it was also around this time that Pound began to study Chinese and Japanese writings. In 1915, he would publish his translation of Cathay, a collection of poems, mostly by the Chinese poet Li Bai. Pound’s free-verse translation, working from the notes of Ernest Fenollosa, managed to produce a series of translations whose accuracy to the spirit, if not the letter, of the originals is still admired by scholars of Chinese literature.

some British and American poets led by Ezra Pound started a poetic movement called imagism.

Ezra Pound and Imagism and other Imagists Premium Essay

He is best known for the group he founded in 1913, which he named 'Imagism', and for his long poem, The Cantos, which he began around 1915 and left unfinished at his death in 1972.

Essay on Imagism Ezra Pound Imagism and Ezra Pound Ezra Pound was one of Imagism Ezra Pound Term paper.

Imagism is the Name given to a movement in poetry, ..

Eliot on Modernism On Ezra Pound’s quote on modernism, he claims that "the modern age wants a literature that reflects an image of itself: "accelerated" and mass produced ("a mould in plaster/Made with no loss of time) as well as superficial." This means that today’s society wants a literature that resembles itself, fast paced and shallow.

Pound insisted that the poem must present to the reader an active image, not a mere description of events or setting.

The Imagist Movement: Poems, Examples & Key Poets …

: In October of 1989, John Ashbery went to St. John's the Divine Cathedral in New York to be part of the induction of Wallace Stevens at the Poets' Corner. There was a vespers service and Ashbery read six sections of Stevens's "An Ordinary Evening in New Haven." Imagine that--that poem read at a vespers service! Anyway, I certainly don't know of another recording of Ashbery performing Stevens. Stevens was a fairly bad reader of his own poems. Ashbery is deemed by many to be an indifferent reader of his poems. (I don't agree, but understand the point.) But here, reading Stevens, Ashbery is marvelous. is a 7-minute recording of sections 3, 5, 12, 17, 18 and 30 of the Stevens poem that comes closest to real serial writing (seriality at the level of the section, anyway).

Perhaps because Pound began to see imagism as a "stylistic movement, a …

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In the essay "Imagism," the second rule of imagistes is said to be "to use absolutely no word that did not contribute to the presentation." I think this rule helps explain why some of Pound's poems are so short.