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Thirteen Reasons Why Essay Questions | GradeSaver
Indeed, as a synecdoche for the activity of the viewer and a metaphor for the work of apoet, that roving, moving "eye" signifies the initial impulse for the movementneeded to find "thirteen ways of looking." The blackbird's eye represents theshifting, animated, spirited world of creatures in the midst of the frozen world ofgeology. It also forms part of a delicately traced visual image that we might imagine ascontrasting the dark glint of the blackbird's eye with the supposed whiteness of themountains, a tiny eye point with a vast expanse, and lively and attentive movement(fictive and anatomically impossible though it is) with frigid immobility. Considering theblackbird's potential symbolic import as a bird of ill omen, this function of glinting,shifting, living, moving must relativize any simple contrast between its blackness and thewhite background. The eye of the blackbird must embrace a range of symbolic meaningsacross a spectrum from the benign to the malign, like Melville's whale. Although ominousin its blackness, it is also promising for its ability to escape all but the determinismof movement itself. We have seen in "The Motive for Metaphor" how a demiurgicalchain of unexpected transformations can be set off by "Desiring the exhilarations ofchanges." For besides leading back to the quasi-ontological eye of the blackbird, the"moving thing" also implicates the emotions of the looker who is moved. The eyeof the "I" implicitly scans the frozen landscape to pick out the one object thatmoves or that moves him--that is, the only object that signifies: blackbirds. The"I"'s desire determines the terms in which the fiction of the poem can beconstituted.
Days Thirteen essay analysis movie ..
Stevens' image disperses the unifying mystical force of Saint Augustine's God whosecenter was everywhere and circumference nowhere. Stevens' circles are akin to the materialillustrations with which Emerson opens his essay, "Circles"; "The eye isthe first circle; the horizon which it forms is the second." The circle is indeedthat through which we see and the limit of what we see. But whereas Emerson goes on to saythat "throughout nature this primary figure is repeated without end," Stevens,rather than looking for a First Idea here, affirms an undifferentiated plurality thatstrips his circles of the Ideal that Emerson calls in this essay "the highest emblemin the cipher of the world." The linguistic circles Stevens inscribes in this poemare not all variants of the same but all differently shaped spaces of looking as well asof speculating. The role of locative constructions, of which the word is asemantically full sign, is to establish the linguistic architecture of 'ThirteenWays"--a confined space of verbal looking or speculation. What is beyond the circleis not seen; its edge erects a boundary for the thought of the poet.